In the research project ‘Dramaturgies of Disagreement in Contemporary Theatre,’ I have examined how theatre performances dramaturgically work with substantial disagreement within audiences and non-audiences. In the first ...

This chapter is a conversation between Lisbet Skregelid and Gert J. J. Biesta. The point of departures are texts by Biesta that touch upon issues related to art and art education. In the conversation, Biesta tells about ...

During the first lockdown in March 2020, I started running two to three times a week to a nearby beach. Since then, I have stopped each time about halfway, and have been filming the sea view from the same spot for 30 seconds ...

Why do children and young people need art? How do we rationalize the significance of art in society? This anthology is based on research carried out by members of the multidisciplinary research group Art and Young People ...

Spørsmålet om hvordan man kan dokumentere og arkivere en forestilling har de siste tiårene vært knyttet til diskusjonen om forestillingens ontologi, hvor kapittelet «The Ontology of Performance» (1993) av Peggy Phelan har ...

What parts of the art experience are made visible in the criticism of it, and what criticism formats are available to youths? This article is informed by my own practice as a performing arts critic and is a theoretical ...

In this article, I examine performative transgression in, and interwoven with, The Wastefulness Commission 2021 by Traavik.info. Launched by Morten Traavik in December 2019, the so-called hypertheatre project evolved into ...

I denne artikkelen utforsker vi materialitet som felles omdreiningspunkt for vår forskning. Gjennom en postkvalitativ tilnærming med fragmentfortellinger fra egne forskerliv søker vi i artikkelen å «sy sammen et lappeteppe» ...

Udgangspunktet for denne studie skal findes i et kunstnerisk projekt med det norske scenekunst-kompagni Teater Bak Murene. I foråret 2019 arbejdede kompagniet med at udvikle forestillingen Innefra ...