dc.contributor.author | Friis, Joachim | |
dc.date.accessioned | 2023-05-23T07:51:47Z | |
dc.date.available | 2023-05-23T07:51:47Z | |
dc.date.created | 2022-09-24T14:05:10Z | |
dc.date.issued | 2022 | |
dc.identifier.citation | Friis, J. (2022). Mellem underholdende kedsomhed og bedøvende overstimulering: Affektive rytmer i oplevelsen af hashtag-fænomenet #ProudBoys på Twitter. Mediekultur, 38(72), 6-27. | en_US |
dc.identifier.issn | 0900-9671 | |
dc.identifier.uri | https://hdl.handle.net/11250/3068602 | |
dc.description.abstract | This article explores what role minor and ambivalent feelings play in the experi- ence of hashtag phenomena on social media. The case study is the hashtag-flooding phenomenon that happened on Twitter in the autumn of 2020, where a group of homosexual men and supporters started using the hashtag #ProudBoys to change its connotation to the eponymous far-right group. With an affect-driven autoethnographic analysis, I explore how minor feelings are engendered in the experience of the #ProudBoys-phenomenon and how they are part of the affective public that is created in the activity of producing a new context for the hashtag. I conclude with the proposition that minor feelings had a significant effect on how my attention was kept while engaging in the #ProudBoys-phenomenon on Twitter. Furthermore, I propose that the phenomenon is an example of hashtag activism that is characterized more by everyday collective identity-building than acute urgency around a public matter. | en_US |
dc.language.iso | dan | en_US |
dc.publisher | Sammenslutningen af Medieforskere i Danmark | en_US |
dc.rights | Navngivelse-Ikkekommersiell 4.0 Internasjonal | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc/4.0/deed.no | * |
dc.title | Mellem underholdende kedsomhed og bedøvende overstimulering: Affektive rytmer i oplevelsen af hashtag-fænomenet #ProudBoys på Twitter | en_US |
dc.type | Peer reviewed | en_US |
dc.type | Journal article | en_US |
dc.description.version | publishedVersion | en_US |
dc.rights.holder | © 2022 The Author(s) and MedieKultur | en_US |
dc.subject.nsi | VDP::Humaniora: 000 | en_US |
dc.source.pagenumber | 6-27 | en_US |
dc.source.volume | 38 | en_US |
dc.source.journal | Mediekultur | en_US |
dc.source.issue | 72 | en_US |
dc.identifier.cristin | 2055061 | |
cristin.qualitycode | 1 | |