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dc.contributor.authorFriis, Joachim
dc.date.accessioned2023-05-23T07:51:47Z
dc.date.available2023-05-23T07:51:47Z
dc.date.created2022-09-24T14:05:10Z
dc.date.issued2022
dc.identifier.citationFriis, J. (2022). Mellem underholdende kedsomhed og bedøvende overstimulering: Affektive rytmer i oplevelsen af hashtag-fænomenet #ProudBoys på Twitter. Mediekultur, 38(72), 6-27.en_US
dc.identifier.issn0900-9671
dc.identifier.urihttps://hdl.handle.net/11250/3068602
dc.description.abstractThis article explores what role minor and ambivalent feelings play in the experi- ence of hashtag phenomena on social media. The case study is the hashtag-flooding phenomenon that happened on Twitter in the autumn of 2020, where a group of homosexual men and supporters started using the hashtag #ProudBoys to change its connotation to the eponymous far-right group. With an affect-driven autoethnographic analysis, I explore how minor feelings are engendered in the experience of the #ProudBoys-phenomenon and how they are part of the affective public that is created in the activity of producing a new context for the hashtag. I conclude with the proposition that minor feelings had a significant effect on how my attention was kept while engaging in the #ProudBoys-phenomenon on Twitter. Furthermore, I propose that the phenomenon is an example of hashtag activism that is characterized more by everyday collective identity-building than acute urgency around a public matter.en_US
dc.language.isodanen_US
dc.publisherSammenslutningen af Medieforskere i Danmarken_US
dc.rightsNavngivelse-Ikkekommersiell 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/deed.no*
dc.titleMellem underholdende kedsomhed og bedøvende overstimulering: Affektive rytmer i oplevelsen af hashtag-fænomenet #ProudBoys på Twitteren_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.rights.holder© 2022 The Author(s) and MedieKulturen_US
dc.subject.nsiVDP::Humaniora: 000en_US
dc.source.pagenumber6-27en_US
dc.source.volume38en_US
dc.source.journalMediekulturen_US
dc.source.issue72en_US
dc.identifier.cristin2055061
cristin.qualitycode1


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Navngivelse-Ikkekommersiell 4.0 Internasjonal
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