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dc.contributor.authorNordgård, Daniel
dc.date.accessioned2022-11-03T11:59:41Z
dc.date.available2022-11-03T11:59:41Z
dc.date.created2022-10-18T08:51:56Z
dc.date.issued2022
dc.identifier.citationNordgård, D. (2022). Nesten alene: Artisten, økonomien og bransjen. I S. Røyseng, H. Stavrum & J. Vinge (Red.), Musikerne, bransjen og samfunnet (Kap. 8, s. 199–221). Cappelen Damm Akademisk.en_US
dc.identifier.isbn9788202716264
dc.identifier.urihttps://hdl.handle.net/11250/3029869
dc.description.abstractThis chapter explores the framework conditions under which Norwegian artists and managers work and discusses them against a backdrop of established theories on the effects of digitalization. The author’s ambition is to expand our understanding of how the current business of music works by focusing on the people who work with it. The chapter draws on a series of interviews with ten Norwegian artists and managers conducted during the winter of 2019/2020. Building on these interviews, this chapter argues that while digitalization certainly has offered artists and managers a range of possibilities, many of the ways they work are variations on traditional structures and models. A key finding in this research is that economic predictability and stability is central to how Norwegian artists and managers organize themselves and their work.en_US
dc.language.isonoben_US
dc.publisherCappelen Damm Akademisken_US
dc.relation.ispartofMusikerne, bransjen og samfunnet
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.titleNesten alene: Artisten, økonomien og bransjenen_US
dc.typeChapteren_US
dc.typePeer revieweden_US
dc.description.versionpublishedVersionen_US
dc.rights.holder© 2022 The Author(s).en_US
dc.subject.nsiVDP::Humaniora: 000::Musikkvitenskap: 110en_US
dc.source.pagenumber199-221en_US
dc.identifier.doihttps://doi.org/10.23865/noasp.160.ch8
dc.identifier.cristin2062269
dc.description.localcodePaid open access
cristin.qualitycode1


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