• The Sound of Reconciliation? Musical and Sociocultural Harmony in the Sri Lanka–Norway Music Cooperation (2009–2018) 

  Korum, Solveig (Journal article; Peer reviewed, 2020)

• Culture in international development : the role of Concerts Norway in the India-Norway music cooperation (2002–2017) 

  Korum, Solveig; Subramaniam, Bindu (Journal article; Peer reviewed, 2020)

• Competing economies of worth in a multiagency music and reconciliation partnership : The Sri Lanka Norway Music Cooperation (2009-2018) 

  Korum, Solveig; Howell, Gillian (Journal article; Peer reviewed, 2020)

• Conflicting Identities : The Meaning and Significance of Popular Music in the GDR 

  Rauhut, Michael (Chapter; Peer reviewed, 2020)

• “The Right Amount of Odd”: Vocal Compulsion, Structure, and Groove in Two Love Songs from Around the World in a Day 

  Danielsen, Anne; Hawkins, Edgar Stanley (Peer reviewed; Journal article, 2020)

• Raus aus der Spur : Brachte Rockmusik die Mauer ins Wanken? 

  Rauhut, Michael (Chapter; Peer reviewed, 2019)

• Bang drums until the cement softens : International music collaboration in Palestine 

  Korum, Solveig (Chapter; Peer reviewed, 2019)

• Informed Play: Approaching a Concept and Biology of Tone Production on Early Modern Lute Instruments 

  Rolfhamre, Robin (Book; Peer reviewed, 2018)

• Introduction: David Bowie (1947-2016) 

  Hawkins, Stan (Journal article; Peer reviewed, 2018)

• Jugendkulturen und populäre Musik in der DDR 

  Rauhut, Michael (Chapter; Peer reviewed, 2018)

• Der schöne Schein des Echten : Zum kulturellen Gebrauch des Blues in Deutschland von 1945 bis 1990 

  Rauhut, Michael (Peer reviewed; Journal article, 2008)

• Held der Arbeiterklasse : Zur John-Lennon-Rezeption in  der DDR 

  Rauhut, Michael (Peer reviewed; Journal article, 2010)

• Undercover Agents for the Blues. Woher wir wissen, was die blauen Töne wert sind 

  Rauhut, Michael (Chapter, 2013)

• Standing at the Crossroads : Konstruktionen von Authentizität in der deutschen Rezeption des Blues 

  Rauhut, Michael (Chapter, 2013)

• Schwarz-weiße Netze : Afroamerikanische Musik als politisches Medium in der DDR 

  Rauhut, Michael (Chapter, 2008)

• Group behaviour and interpersonal synchronization to electronic dance music 

  Solberg, Ragnhild Torvanger; Jensenius, Alexander Refsum (Peer reviewed; Journal article, 2017)

  The present study investigates how people move and relate to each other – and to the dance music – in a club-like setting created within a motion capture laboratory. Three groups of participants (29 in total) each danced ...

• Pleasurable and Intersubjectively Embodied Experiences of Electronic Dance Music 

  Solberg, Ragnhild Torvanger; Jensenius, Alexander Refsum (Journal article; Peer reviewed, 2016)

• Mainstream or marginal? A study of the musical practices of three African immigrant performers in Norway 

  Anundsen, Tormod Wallem (Doctoral thesis, 2014)

• Rekrutteringen til de utøvende musikkutdanningene i Norge 

  Tønsberg, Knut (Journal article; Peer reviewed, 2012)

  The admission to the music performance programs in Norway is not coordinated. There are good reasons for that, but it also presents some challenges. An example of these is that there are no surveys at the national level ...

• Baustein West und Bauplan Ost. Zur politischen Transformation jugendkultureller Stile in der DDR 

  Rauhut, Michael (Journal article; Peer reviewed, 2012)

  Within different political systems, youth cultures use similar symbols and styles which are charged with distinct and specific meaning. In the German Democratic Republic, the socialist part of Germany, youth cultures ...

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