• Amplified Connections: Exploring Performative Co-Creation and Distributed Creativity in the Context of Accessible Music Creation Technologies 

  Jung, Matthias (Doctoral dissertations at University of Agder;no. 505, Doctoral thesis, 2024)

  In recent decades, interactive music systems have begun to be integrated into popular music performance. Advances in digital technology have enabled the inclusion of a large number of co-creators, encompassing even the ...

• Putting the ego aside : A case study of the peer-to-peer feedback dialogue among electronic popular music makers within higher education 

  Waaler Røshol, Andreas (Journal article; Peer reviewed, 2024)

  Settings where students showcase their original songs to peers and teachers can seem advantageous and harmless. However, beneath this surface is a complex, multifaceted negotiation. In this article, I engage with the ...

• Lyrics, Voices, and the Stories they tell 

  Iveland, Kari (Doctoral dissertations at the University of Agder; No. 462, Doctoral thesis, 2024)

  Situated within the field of Popular Musicology, this thesis takes a discursive approach to the relationship between lyrics and representations of the voice. Drawing on personal experience with lyrics and voices as a singer, ...

• De Frie Ledetoner - En kunstnerisk kreativ undersøkelse av utvidet funksjonalisme i jazzimprovisasjon 

  Pedersen, Erik Kimestad (Doctoral dissertations at University of Agder; no.459, Doctoral thesis, 2024)

  This thesis describes Kimestad’s own practice as an improviser and process of internalizing a chosen set of music theoretical perspectives as improvisational skills. It contains two distinct parts – an artistic and a ...

• Pop Music Diegesis and the 360º Video 

  Bresler, Zack (Peer reviewed; Journal article, 2023)

  One approach to studying music videos is through the framework of diegesis, which considers the relation of sounds to narrative structure in film. Unlike most visual media, music videos flip the diegetic picture as image ...

• Developing Practices and Approaches to Electronic Popular Music in Education 

  Sørbø, Eirik (Doctoral dissertations at University of Agder; no. 398, Doctoral thesis, 2023)

  The field of electronic popular music education is a relative newcomer compared to most other educational fields within the arts, and the relationships between educational purposes, between the teacher and the students, ...

• Balancing Educational Purposes Within Higher Electronic Music Education – A Biestaian Perspective 

  Sørbø, Eirik (Chapter; Peer reviewed, 2020)

• Making Music, Finishing Music – An Inquiry Into the Music-Making Practice of Popular Electronic Music Students in the “Laptop-Era” 

  Røshol, Andreas Waaler; Sørbø, Eirik (Chapter; Peer reviewed, 2020)

• Teaching Aesthetics – A Case Study of One-To-One Tuition in Popular Electronic Music in Higher Education 

  Sørbø, Eirik; Røshol, Andreas Waaler (Chapter; Peer reviewed, 2020)

• ‘A Swarm of Sound’ : Audiovisual Immersion in Björk’s VR Video ‘Family’ 

  Bresler, Zack; Hawkins, Stan (Journal article; Peer reviewed, 2022)

  This article explores the idea of audiovisual immersion through the portal of the virtual reality music video. Our focus falls on a close reading of Björk’s video, ‘Family’, which addresses questions of immersion in relation ...

• Nesten alene: Artisten, økonomien og bransjen 

  Nordgård, Daniel (Chapter; Peer reviewed, 2022)

  This chapter explores the framework conditions under which Norwegian artists and managers work and discusses them against a backdrop of established theories on the effects of digitalization. The author’s ambition is to ...

• Vinn-vinn? En studie av "Sentrum-prosjektet" – et samarbeid mellom grunnskole og kulturskole 

  Balsnes, Anne Haugland; Christensen, Jorun (Chapter; Peer reviewed, 2021)

• Views from the boundaries: Music streaming revisited 

  Nordgård, Daniel (Peer reviewed; Journal article, 2021)

• Immersed in Pop : 3D Music, Subject Positioning, and Compositional Design in The Weeknd’s “Blinding Lights” in Dolby Atmos 

  Bresler, Zachary (Journal article; Peer reviewed, 2021)

  In 2019, Dolby Atmos Music launched on Tidal HiFi and Amazon Prime Music HD, integrating 3D sound with music streaming services for the first time. This is one of several recent incursions by popular music into immersive ...

• Music Technology Tools - A Therapist-in-a-box? Human-Computer Interaction and the Co-Creation of Mental Health. 

  Jonassen, Kjetil Høyer (Journal article; Peer reviewed, 2021)

  The purpose of this paper is to contribute to the discussion of technology in music therapy and public health, focusing on the human–computer interaction and the cocreation of mental health. Foundational theory explaining ...

• The Sound of Reconciliation? Musical and Sociocultural Harmony in the Sri Lanka–Norway Music Cooperation (2009–2018) 

  Korum, Solveig (Journal article; Peer reviewed, 2020)

• Culture in international development : the role of Concerts Norway in the India-Norway music cooperation (2002–2017) 

  Korum, Solveig; Subramaniam, Bindu (Journal article; Peer reviewed, 2020)

• Competing economies of worth in a multiagency music and reconciliation partnership : The Sri Lanka Norway Music Cooperation (2009-2018) 

  Korum, Solveig; Howell, Gillian (Journal article; Peer reviewed, 2020)

• Conflicting Identities : The Meaning and Significance of Popular Music in the GDR 

  Rauhut, Michael (Chapter; Peer reviewed, 2020)

• “The Right Amount of Odd”: Vocal Compulsion, Structure, and Groove in Two Love Songs from Around the World in a Day 

  Danielsen, Anne; Hawkins, Edgar Stanley (Peer reviewed; Journal article, 2020)

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