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dc.contributor.authorRennesund, Camilla
dc.date.accessioned2019-10-16T10:29:12Z
dc.date.available2019-10-16T10:29:12Z
dc.date.issued2019
dc.identifier.urihttp://hdl.handle.net/11250/2622508
dc.descriptionMasteroppgave kunstfag KF500 - Universitetet i Agder 2019nb_NO
dc.description.abstractBetween the controlled and the uncontrolled –Afreeing processis a Master's Thesis written by Camilla Rennesund for the Faculty of Fine Arts, by the University of Agder.The thesis deals with a qualitative study of liberation within the visual arts, with her own artistic practice as an example. A journey from the tightly controlled to the free and uncontrolled, and finally the encounter between these two aspects. The achievement of the liberation takes place strategically through three phases: material exploration, the randomised system of I Ching, and ultimately intuition. The Beat Culture is a load bearing wall for liberation and will be a recurring theme throughout the thesis.The thesis is largely based on auto-ethnographic empirical data with a phenomenological approach as an important aid for the dissemination of artistic practice. In addition to the empirical data in the form of a journal, she brings in the turning point analysis atthe end of each phase to see where in the process liberation was achieved.The artistic research is shown as a process in an exhibition, as the project is not to be regarded as a finished result, rather as a step further into her own artistic practice.nb_NO
dc.language.isonobnb_NO
dc.publisherUniversitetet i Agder ; University of Agdernb_NO
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.subjectKF500nb_NO
dc.titleMøtet mellom det kontrollerte og det ukontrollerte : en frigjøringsprosessnb_NO
dc.typeMaster thesisnb_NO
dc.subject.nsiVDP::Humaniora: 000::Kunsthistorie: 120nb_NO
dc.source.pagenumber92 s.nb_NO


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
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