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dc.contributor.authorKulbraaten, Kaja
dc.date.accessioned2019-10-16T10:04:27Z
dc.date.available2019-10-16T10:04:27Z
dc.date.issued2019
dc.identifier.urihttp://hdl.handle.net/11250/2622494
dc.descriptionMasteroppgave kunstfag KF500 - Universitetet i Agder 2019nb_NO
dc.description.abstractThis thesis focuseson the study, approach and use of old objects in a work of art. The theme was chosen based on an interestin history,and a rich group of artefacts from the last century. The collection consists of everything from kitchenware,to a large collection of hats from various decades.The main objectivehas been to get closer to these old objects, in order to capture some of their essence. Both theoretical and creative processes have been used,in an attempt to understand what they can tell us. The artist / researcher also had a desire to invite the reader / viewer into a carefully curated world of things.Asaresult of this other people mightget more aware of the objects they have around them. The final artwork has become an orderly and visual archive, where everything from the physical properties of the items to the owner’s relationship ismapped. The value of old everyday thingsare heightened,due to them beingincorporated in an artwork. Thewritten part of this thesis in particular, can be considered as a potential tool for others who want to work with objects.The original title of the written part of this projecthas two of itsmost import terms within4. For the English translation I’ve landed on the expression: The little things in life.The Norwegian name given to the artwork is To sider av samme sak. This is similar to the English expression two sides of the same coin.nb_NO
dc.language.isonobnb_NO
dc.publisherUniversitetet i Agder ; University of Agdernb_NO
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.subjectKF500nb_NO
dc.titleDe nære tingene : En kreativ og teoretisk undersøkelse av min egen samling av historiske gjenstandernb_NO
dc.typeMaster thesisnb_NO
dc.subject.nsiVDP::Humaniora: 000::Kunsthistorie: 120nb_NO
dc.source.pagenumber72 s.nb_NO


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
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