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dc.contributor.advisorFøreland Pedersen, Tor Jørund
dc.contributor.authorNes, Sander
dc.date.accessioned2024-07-03T16:23:46Z
dc.date.available2024-07-03T16:23:46Z
dc.date.issued2024
dc.identifierno.uia:inspera:229817289:51927229
dc.identifier.urihttps://hdl.handle.net/11250/3137835
dc.description.abstractIn this paper I will be exploring my own personal analog photographic practice, through the use of contemporary aesthetic theory. The goal of this is to achieve a greater understanding of the presence of analog photography in a contemporary context, and increase my consciousness of my own practice. I will first define the concept of analog, and the aspects of it. Then by exploring the aesthetic theory of Dissensus, I will find its relation to the analog process in its conflict with the contemporary social media culture. Further the aesthetic category of interesting will give a understanding of the weakness related to aesthetic judgement, and the weakness of analog, and how they both can become strengths. Finally I will then be applying this to a practice based research method, and create a “interesting dissensus” method that gives names and concepts to various aspects of my own practice, and can be further used by others.
dc.description.abstract
dc.languageeng
dc.publisherUniversity of Agder
dc.title"Interesting Dissensus": Exploring a contemporary analog photographic practice through aesthetic theory
dc.typeMaster thesis


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