A venture into immersive sound Exploring the creative applications of Dolby Atmos in music
| dc.contributor.advisor | Andreas Røshol | |
| dc.contributor.author | Nina Ugland | |
| dc.date.accessioned | 2023-06-29T16:25:00Z | |
| dc.date.available | 2023-06-29T16:25:00Z | |
| dc.date.issued | 2023 | |
| dc.identifier | no.uia:inspera:143762467:15730552 | |
| dc.identifier.uri | https://hdl.handle.net/11250/3074543 | |
| dc.description | Full text not available | |
| dc.description.abstract | This dissertation aims to describe the upmixing process of a track from stereo to surround, elucidating the technical and aesthetic choices made in relation to auditory perception. By exploring the creative applications and their technical implications, the thesis aims to find ways to preserve and develop the artistic vision while transferring existing knowledge about stereophonic mixing and utilizing the possibilities of spatial and positional elements as a distinct creative axis. | |
| dc.description.abstract | ||
| dc.language | ||
| dc.publisher | University of Agder | |
| dc.title | A venture into immersive sound Exploring the creative applications of Dolby Atmos in music | |
| dc.type | Master thesis |
Files in this item
| Files | Size | Format | View |
|---|
This item appears in the following Collection(s)
-
Master's theses in Music Performance [220]
MUK500, MUK501, MUK502, MUR500, MUR502