dc.contributor.author | Böhnisch, Siemke | |
dc.date.accessioned | 2022-05-03T11:10:28Z | |
dc.date.available | 2022-05-03T11:10:28Z | |
dc.date.created | 2019-06-27T13:48:55Z | |
dc.date.issued | 2019 | |
dc.identifier.citation | Böhnisch, S. (2019). Scenekunstens (for)handlingsrom etter 22. juli. Teatervitenskapelige studier 2, 3-19. | en_US |
dc.identifier.issn | 2535-7662 | |
dc.identifier.uri | https://hdl.handle.net/11250/2993875 | |
dc.language.iso | nob | en_US |
dc.publisher | Seksjon for teatervitenskap | en_US |
dc.rights | Navngivelse 4.0 Internasjonal | * |
dc.rights.uri | http://creativecommons.org/licenses/by/4.0/deed.no | * |
dc.subject | Fri scenekunst | en_US |
dc.subject | Independent theatre | en_US |
dc.subject | Teater og 22 juli | en_US |
dc.subject | Theatre and the terror attacks 07/22 | en_US |
dc.subject | 22. juli | en_US |
dc.subject | 22 July | en_US |
dc.subject | Offentlighet | en_US |
dc.subject | Public sphere | en_US |
dc.title | Scenekunstens (for)handlingsrom etter 22. juli | en_US |
dc.type | Peer reviewed | en_US |
dc.type | Journal article | en_US |
dc.description.version | publishedVersion | en_US |
dc.rights.holder | © 2019 The Author(s) | en_US |
dc.subject.nsi | VDP::Teatervitenskap: 172 | en_US |
dc.subject.nsi | VDP::Theatre studies: 172 | en_US |
dc.source.pagenumber | 3-19 | en_US |
dc.source.journal | Teatervitenskapelige studier | en_US |
dc.source.issue | 2 | en_US |
dc.identifier.doi | https://doi.org/10.15845/tvs.v2i0 | |
dc.identifier.cristin | 1708328 | |
cristin.qualitycode | 1 | |