dc.contributor.author | McPartland, Perry | |
dc.date.accessioned | 2020-12-01T12:43:13Z | |
dc.date.available | 2020-12-01T12:43:13Z | |
dc.date.created | 2020-11-24T19:24:14Z | |
dc.date.issued | 2020 | |
dc.identifier.citation | McPartland, P. (2020). Shakespeare and Metatheatrical Representation (Doctoral thesis). University of Agder, Kristiansand. | en_US |
dc.identifier.isbn | 978-82-8427-005-0 | |
dc.identifier.issn | 1504-9272 | |
dc.identifier.uri | https://hdl.handle.net/11250/2711194 | |
dc.description.abstract | Forholdet mellom scenisk representasjon og metateater hos Shakespeare har tradisjonelt blitt oppfattet antagonistisk: publikum ses enten som fanget inn av scenens skinn av virkelighet, eller som fremmedgjort og skeptisk distansert fra den. Min forskning viser imidlertid at Shakespeares drama kun realiseres gjennom forfalskende effekter og posisjoner, men at det likevel ikke er noe motsetningsforhold mellom representasjon og metateater. Tvert imot suspenderes virkningen av hver enkelt modalitet; begge forblir i spill, og dramatikeren kan utnytte det generative potensialet som ligger i hver av dem. Kort sagt, representasjon og metateater flettes sammen som et overordnet kunstgrep. Dette er en risikabel estetisk strategi som på hvert trinn lett kan feile. Jeg analyserer hvordan Shakespeare lar motsetning, simulering og parodi virke sammen, og hevder at han med dette bidrar til å gi renessanseteatret en unik form for estetisk representasjon. | en_US |
dc.language.iso | eng | en_US |
dc.publisher | 07 Media | en_US |
dc.relation.ispartofseries | Doctoral Dissertations at the University of Agder; no. 303 | |
dc.relation.haspart | Paper I: McPartland, P. (2017). Holy words and low folly in A Midsummer Night's Dream. Archiv für das Studium der neueren Sprachen und Literaturen, 254,(1), 48-66. https://doi.org/10.37307/j.1866-5381.2017.01.04. Author´s accepted manuscript. Full-text is not available in AURA as a separate file. | en_US |
dc.relation.haspart | Paper II: McPartland, P. (2018). Political Shakespeare and the Blessing of Art. Early Modern Culture Online, 4(1). https://doi.org/10.15845/emco.v4i1.1507. Published version. Full-text is available in AURA as a separate file: . | en_US |
dc.relation.haspart | Paper III: McPartland, P. (2015) Painting the Plays. Early Modern Culture Online, 6(1), 31-40. https://doi.org/10.15845/emco.v6i1. Full-text is not available in AURA as a separate file. | en_US |
dc.relation.haspart | Paper IV: Sillars, S. & McPartland, P. (2019). Shakespeare, Art and Artifice : An Interview with Stuart Sillars: In conversation with Perry McParland. Early Modern Culture Online, 4(2). https://doi.org/10.15845/emco.v4i2.2612. Full-text is not available in AURA as a separate file. | en_US |
dc.relation.haspart | Paper V: McPartland, P. (2019). Titania and Bottom and a Vitruvian Fairy: A new reference to the work of Leonardo da Vinci in Henry Fuseli’s Titania and Bottom. ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews. https://doi.org/10.1080/0895769X.2019.1683708. Full-text is not available in AURA as a separate file. | en_US |
dc.relation.haspart | Paper VI: McPartland, P. (2019). Keir Elam. Shakespeare’s Pictures: Visual Objects in the Drama. Review of English Studies, 70(293), 171-174. https://doi.org/10.1093/res/hgy059. Full-text is not available in AURA as a separate file. | en_US |
dc.relation.haspart | Paper VII: McPartland, P. (2016). Transgendering Thisne. ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews, 29(3), 127-128. https://doi.org/10.1080/0895769X.2016.1216390. Full-text is not available in AURA as a separate file. | en_US |
dc.relation.haspart | Paper VII: McPartland, P. (2018). William Shakespeare: A Midsummer Night’s Dream. Ed. Sukanta Chaudhuri (The Arden Shakespeare: Third Series). Archiv für das Studium der neueren Sprachen und Literaturen, 255,(1). https://doi.org/10.37307/j.1866-5381.2018.01.22. Full-text is not available in AURA as a separate file. | en_US |
dc.relation.haspart | Paper VIII: McPartland, P. (2020). ‘Quit Presently the Chapel’: A Note on Setting in the Final Scene of The Winter’s Tale. Notes & Queries, 67(2), 263-265. https://doi.org/10.1093/notesj/gjaa048. Full-text is not available in AURA as a separate file. | en_US |
dc.relation.haspart | Paper IX: McPartland, P. (2020). ‘This Seeming Lady and Her Brother’: Further Remarks on the Doubling of Perdita with Mamillius in The Winter’s Tale. Notes & Queries, 67(2), 259-263. https://doi.org/10.1093/notesj/gjaa049. Full-text is not available in AURA as a separate file. | en_US |
dc.relation.haspart | Paper X: McPartland, P. (2019). References to the doubling of Autolycus and the bear in Shakespeare’s The Winter’s Tale. Notes & Queries, 66(3), 454-457. https://doi.org/10.1093/notesj/gjz081. Full-text is not available in AURA as a separate file. | en_US |
dc.title | Shakespeare and Metatheatrical Representation | en_US |
dc.type | Doctoral thesis | en_US |
dc.description.version | publishedVersion | en_US |
dc.rights.holder | © 2020 Perry McPartland | en_US |
dc.subject.nsi | VDP::Humaniora: 000::Språkvitenskapelige fag: 010 | en_US |
dc.source.pagenumber | 227 | en_US |
dc.source.issue | 303 | en_US |
dc.identifier.cristin | 1851898 | |