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dc.contributor.authorJørgensen, Line
dc.date.accessioned2019-11-18T08:16:30Z
dc.date.available2019-11-18T08:16:30Z
dc.date.issued2019
dc.identifier.urihttp://hdl.handle.net/11250/2628858
dc.descriptionMaster's Thesis Music Performance, Western Classical Music MUK501 - University of Agder 2019nb_NO
dc.description.abstractThe master’s thesis explores the nature of existential anxiety in stage performance. The term ‘stage fright’ is being questioned in relations to existential anxiety being a phenomenon that is suggested as being more grounded in the human condition. The nature of anxiety can manifest itself in different forms in connection with stage performances. A suggestion for musicians is to try not to fight or conquer stage fright, but instead try to surrender to existential anxiety that has the potency to lead the performer forward. The seemingly intertwining between the personal and artistic level of a musician also shows the complexity of the journey into becoming an authentic performer.nb_NO
dc.language.isoengnb_NO
dc.publisherUniversitetet i Agder ; University of Agdernb_NO
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.subjectMUK501nb_NO
dc.titleThe nature of existential anxiety in stage performancenb_NO
dc.typeMaster thesisnb_NO
dc.subject.nsiVDP::Humaniora: 000::Musikkvitenskap: 110nb_NO
dc.subject.nsiVDP::Samfunnsvitenskap: 200::Psykologi: 260nb_NO
dc.source.pagenumber66 p.nb_NO


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
Med mindre annet er angitt, så er denne innførselen lisensiert som Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal