The nature of existential anxiety in stage performance

Abstract

The master’s thesis explores the nature of existential anxiety in stage performance. The term ‘stage fright’ is being questioned in relations to existential anxiety being a phenomenon that is suggested as being more grounded in the human condition. The nature of anxiety can manifest itself in different forms in connection with stage performances. A suggestion for musicians is to try not to fight or conquer stage fright, but instead try to surrender to existential anxiety that has the potency to lead the performer forward. The seemingly intertwining between the personal and artistic level of a musician also shows the complexity of the journey into becoming an authentic performer.