dc.contributor.author | Ljosland, Elen Kristine | |
dc.date.accessioned | 2017-09-29T10:38:02Z | |
dc.date.available | 2017-09-29T10:38:02Z | |
dc.date.issued | 2017 | |
dc.identifier.uri | http://hdl.handle.net/11250/2457480 | |
dc.description | Master's thesis Music Management MU501 - University of Agder 2017 | nb_NO |
dc.language.iso | eng | nb_NO |
dc.publisher | Universitetet i Agder ; University of Agder | nb_NO |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/deed.no | * |
dc.subject | MU501 | nb_NO |
dc.title | Girl Meets Music Business : A qualitative research of how it is to be female in the Pop Culture off [i.e. of] the twenty-first century | nb_NO |
dc.title.alternative | Girl Meets Music Business : A qualitative research of how it is to be female in the Pop Culture of the twenty-first century | nb_NO |
dc.type | Master thesis | nb_NO |
dc.subject.nsi | VDP::Samfunnsvitenskap: 200::Kvinne- og kjønnsstudier: 370 | nb_NO |
dc.subject.nsi | VDP::Humaniora: 000::Musikkvitenskap: 110::Musikkhistorie: 111 | nb_NO |
dc.source.pagenumber | 55 p. | nb_NO |