The European Hard Rock and Heavy Metal live music market A closer look at the development of emerging bands through live performing
Abstract
The present study is set out to provide a better understanding of the current situation
regarding career development in terms of live performing for emerging Hard Rock / Heavy
Metal (HR/HM) bands in Europe, and to find out how these bands have been impacted by
changes in the live-music economy.
Previous research conducted concerning the live music industry mostly consists of overall
figures and general turnover over years. Such research is segmented only by country, and
mainly focused on the United States, United Kingdom or Europe as a whole. It also focuses
on the economies of the so-called “Super Stars”. This particular study pretends to provide a
different perspective of the live music market in Europe by focusing on the economies and
artistic development of emerging bands within a niche music genre.
The project has a qualitative approach and will be based on the testimonies from several
interviews. The interviewed subjects were HR/HM live music industry-men and women,
established bands, and medium sized and emerging bands; which are currently building their
careers by live-performing in Europe. This study will analyze specific cases based on
experiences and ongoing “live oriented” strategies, and it will draw conclusions about how
these bands are approaching the current industry.
There are several important findings in this research, which will be stated as follows:
Medium sized and emerging bands don’t necessarily have to tour more today, in comparison
to past decades, to meet their financial expectations; but they have to tour and perform live
with a more strategic approach. The access to the market for these bands has been
increasingly limited year after year, since the collapse of the recorded music industry at the
beginning of the century. The amount of festivals across Europe is having a negative impact
in the expected audience for tours and club shows. The chances of becoming a fully
professional band within the HR/HM European market, in the present time, are extremely
low.
Description
Masteroppgave Music management- Universitetet i Agder, 2015