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dc.contributor.authorRauhut, Michael
dc.date.accessioned2013-04-05T07:49:02Z
dc.date.available2013-04-05T07:49:02Z
dc.date.issued2012
dc.identifier.citationRauhut, M. (2012). Baustein West und Bauplan Ost. Zur politischen Transformation jugendkultureller Stile in der DDR. Norsk tidsskrift for musikkforskning, 2013, 1-9. http://journal.uia.no/index.php/NTM/article/view/63no_NO
dc.identifier.issn1893-8671
dc.identifier.urihttp://hdl.handle.net/11250/138578
dc.descriptionPublished version of an article from the journal: Norsk tidsskrift for musikkforskning. Also freely available oon the Internet:http://journal.uia.no/index.php/NTM/article/view/63no_NO
dc.description.abstractWithin different political systems, youth cultures use similar symbols and styles which are charged with distinct and specific meaning. In the German Democratic Republic, the socialist part of Germany, youth cultures were identified as being a political threat. They created space for communication that was in sharp contrast to the propagandistic ideal of the so-called „socialist personality“ and hardly to control by the state. Based on the example of the hippie phenomenon in the East, the essay explains the way global youth cultures had been differentiated culturally and loaded with political sense under the circumstances of socialismno_NO
dc.language.isogerno_NO
dc.publisherUniversitet i Agder / University of Agderno_NO
dc.titleBaustein West und Bauplan Ost. Zur politischen Transformation jugendkultureller Stile in der DDRno_NO
dc.typeJournal articleno_NO
dc.typePeer reviewedno_NO
dc.subject.nsiVDP::Humanities: 000::Musicology: 110::Music history: 111no_NO
dc.source.pagenumber1-9no_NO
dc.source.volume1no_NO
dc.source.journalNorsk tidsskrift for musikkforskningno_NO
dc.source.issue1no_NO


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