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dc.contributor.advisorRolfhamre, Robin
dc.contributor.advisorAngelo, Elin
dc.contributor.advisorMattes, Arnulf Christian
dc.contributor.authorØvrebø, Daniel Henry
dc.identifier.citationØvrebø, D. H. (2021). Performative arts-based audience research : Investigating experiences with high modernist works for solo flute [Doctoral dissertation]. University of Agder.en_US
dc.description.abstractMusical communication has been examined from multiple perspectives, ranging from semiotic analysis and cognitive approaches to social and cultural contexts. Nevertheless, an approach that combines qualitative methods with artistic perspectives is lacking. In this PhD project, three postwar modernist works for solo flute constitute a program performed in three cities in Norway: B. Ferneyhough – Cassandra’s Dream Song; B. Jolas – Fusain pour une Flutiste, and M. Kagel – Atem für einen Bläser. After each performance, I conducted focus group studies with participants engaged primarily through the respective cities’ symphonic orchestra subscription list. Guided by a general agential realist perspective on music performance and an inquiry into audience responses, I aim to investigate how live performance experiences with this music produce subjectivities among audiences, and how this can be expressed by creating narratives from the interviews and conversations. In addition, my own navigation around the double role of performer and researcher is subject to inquiry.en_US
dc.publisherUniversity of Agderen_US
dc.relation.ispartofseriesDoctoral Dissertations at the University of Agder; no. 340
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.titlePerformative arts-based audience research : Investigating experiences with high modernist works for solo fluteen_US
dc.typeDoctoral thesisen_US
dc.rights.holder© 2021 Daniel Henry Øvrebøen_US
dc.subject.nsiVDP::Humaniora: 000::Musikkvitenskap: 110en_US

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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
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