dc.contributor.author | Thorkildsen, Kjersti Livesdottir | |
dc.contributor.author | Rykkja, Anders | |
dc.date.accessioned | 2022-08-04T12:16:27Z | |
dc.date.available | 2022-08-04T12:16:27Z | |
dc.date.created | 2022-08-03T17:46:26Z | |
dc.date.issued | 2022 | |
dc.identifier.citation | Thorkildsen, K. L. & Rykkja, A. (2022). Showcase Festivals: Gatekeepers and Bridge Builders in the Music Industries. International Journal of Music Business Research. | en_US |
dc.identifier.issn | 2227-5789 | |
dc.identifier.uri | https://hdl.handle.net/11250/3010165 | |
dc.description.abstract | Showcase festivals are industry events comprising artist showcases and conferences. It may be argued that showcase festivals are an understudied offline field, since their role in configuring and maintaining a festival-like arena and providing a meeting place for the music industries remains largely unexplored from a scholarly point of view, as well as underappreciated and underestimated within the mainstream academic community. Their purpose is to present artists hoping to attract the attention of the core audience: industry professionals looking for new talent to sign and represent.The article provides an empirical study of the Nordic showcase festival by:Larm using theories of gatekeeping, fields and capita | en_US |
dc.description.abstract | Showcase Festivals: Gatekeepers and Bridge Builders in the Music Industries | en_US |
dc.language.iso | eng | en_US |
dc.publisher | International Association of Music Business Research | en_US |
dc.relation.uri | https://sciendo.com/article/10.2478/ijmbr-2022-0006 | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/deed.no | * |
dc.title | Showcase Festivals: Gatekeepers and Bridge Builders in the Music Industries | en_US |
dc.title.alternative | Showcase Festivals: Gatekeepers and Bridge Builders in the Music Industries | en_US |
dc.type | Peer reviewed | en_US |
dc.type | Journal article | en_US |
dc.description.version | publishedVersion | en_US |
dc.rights.holder | © 2022 The Author(s) | en_US |
dc.subject.nsi | VDP::Samfunnsvitenskap: 200::Økonomi: 210::Samfunnsøkonomi: 212 | en_US |
dc.source.journal | International Journal of Music Business Research | en_US |
dc.identifier.doi | https://doi.org/10.2478/ijmbr-2022-0006 | |
dc.identifier.cristin | 2041038 | |
cristin.qualitycode | 1 | |