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dc.contributor.authorThorkildsen, Kjersti Livesdottir
dc.contributor.authorRykkja, Anders
dc.date.accessioned2022-08-04T12:16:27Z
dc.date.available2022-08-04T12:16:27Z
dc.date.created2022-08-03T17:46:26Z
dc.date.issued2022
dc.identifier.citationThorkildsen, K. L. & Rykkja, A. (2022). Showcase Festivals: Gatekeepers and Bridge Builders in the Music Industries. International Journal of Music Business Research.en_US
dc.identifier.issn2227-5789
dc.identifier.urihttps://hdl.handle.net/11250/3010165
dc.description.abstractShowcase festivals are industry events comprising artist showcases and conferences. It may be argued that showcase festivals are an understudied offline field, since their role in configuring and maintaining a festival-like arena and providing a meeting place for the music industries remains largely unexplored from a scholarly point of view, as well as underappreciated and underestimated within the mainstream academic community. Their purpose is to present artists hoping to attract the attention of the core audience: industry professionals looking for new talent to sign and represent.The article provides an empirical study of the Nordic showcase festival by:Larm using theories of gatekeeping, fields and capitaen_US
dc.description.abstractShowcase Festivals: Gatekeepers and Bridge Builders in the Music Industriesen_US
dc.language.isoengen_US
dc.publisherInternational Association of Music Business Researchen_US
dc.relation.urihttps://sciendo.com/article/10.2478/ijmbr-2022-0006
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.titleShowcase Festivals: Gatekeepers and Bridge Builders in the Music Industriesen_US
dc.title.alternativeShowcase Festivals: Gatekeepers and Bridge Builders in the Music Industriesen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.rights.holder© 2022 The Author(s)en_US
dc.subject.nsiVDP::Samfunnsvitenskap: 200::Økonomi: 210::Samfunnsøkonomi: 212en_US
dc.source.journalInternational Journal of Music Business Researchen_US
dc.identifier.doihttps://doi.org/10.2478/ijmbr-2022-0006
dc.identifier.cristin2041038
cristin.qualitycode1


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
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