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dc.contributor.authorStrømsvaag, Elmine
dc.date.accessioned2021-10-06T07:59:09Z
dc.date.available2021-10-06T07:59:09Z
dc.date.issued2021
dc.identifier.citationStrømsvaag, E. (2021) ‘The Invisible Blood Pours Forth’ : Trauma in Margaret Atwood’s The Blind Assassin and Maria Padian’s Wrecked (Master´s thesis). University of Agder, Kristiansanden_US
dc.identifier.urihttps://hdl.handle.net/11250/2787979
dc.descriptionMaster´s thesis in English (EN501)en_US
dc.description.abstractThis thesis investigates Margaret Atwood’s The Blind Assassin (2000) and Maria Padian’s Wrecked (2016), and examine how the characters are affected by sexual trauma and rape culture. The novels depict a society that creates an environment for female trauma victims which causes them more pain and suffering. This thesis analyzes the books through a lens of trauma theory. The use of different narrations and narrators in the two novels provide new perspectives and understanding of trauma and how it can affect the people around the initial trauma victim. This thesis will examine how the selected novels are used to explore the connection between memory and trauma.en_US
dc.language.isoengen_US
dc.publisherUniversity of Agderen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.subjectEN501en_US
dc.title‘The Invisible Blood Pours Forth’ : Trauma in Margaret Atwood’s The Blind Assassin and Maria Padian’s Wreckeden_US
dc.typeMaster thesisen_US
dc.rights.holder© 2021 Elmine Strømsvaagen_US
dc.subject.nsiVDP::Humaniora: 000::Litteraturvitenskapelige fag: 040::Engelsk litteratur: 043en_US
dc.source.pagenumber47en_US


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
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