| dc.contributor.author | Markovic, Nikola | |
| dc.date.accessioned | 2012-10-03T11:47:53Z | |
| dc.date.available | 2012-10-03T11:47:53Z | |
| dc.date.issued | 2012 | |
| dc.identifier.uri | http://hdl.handle.net/11250/138548 | |
| dc.description | Masteroppgave i utøvende musikk, klassisk- Universitetet i Agder 2012 | no_NO |
| dc.description.abstract | This thesis is an exploration in the field of music interpretation. In it, two different
performances of Piano Sonata No. 7 by Sergei Prokofiev are compared and analysed. The
discussion of findings is conducted in a dialectic way, by confronting two possible solutions
to the problems of interpretation of said piece. The thesis employs different scientific
methods, relying on analytical and observation methods as the main source of data. | no_NO |
| dc.language.iso | eng | no_NO |
| dc.publisher | Universitetet i Agder; University of Agder | no_NO |
| dc.subject.classification | MUK 500 | |
| dc.title | Freedom in interpretation and Piano sonata no. 7 by Sergei Prokofiev : a comparison of two approaches to piano interpretation | no_NO |
| dc.type | Master thesis | no_NO |
| dc.subject.nsi | VDP::Humanities: 000::Musicology: 110::Music history: 111 | no_NO |
| dc.source.pagenumber | 66 s. | no_NO |
