Blar i AURA på forfatter "Rykkja, Anders"
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Bridging the urban-digital divide: Crowdfunding as an online middleground space
Dalla Chiesa, Carolina; Rykkja, Anders (Peer reviewed; Journal article, 2024)The paper attempts to provide a critique of the premise of territoriality in creative cities. A validated hypothesis in the literature on economic geography is that the density and “territoriality” of members of the so-called ... -
Crowdfunding in the Cultural Industries
Rykkja, Anders; Mæhle, Natalia; Munim, Ziaul Haque; Shneor, Rotem (Chapter; Peer reviewed, 2020) -
Crowdfunding in the Cultural Industries
Rykkja, Anders; Mæhle, Natalia; Munim, Ziaul Haque; Shneor, Rotem (Chapter, 2020) -
Cultural Crowdfunding: Does Experience Matter?
Rykkja, Anders; Shneor, Rotem; Mæhle, Natalia; Munim, Ziaul Haque (Peer reviewed; Journal article, 2024)Despite increasing interest in crowdfunding as an alternative source of, or supplementary, funding, there is stilllimited adoption of this new digital practice among artists. The current study explores the variety of ... -
Norske folkefinansieringskampanjer – en analyse
Munim, Ziaul Haque; Berg Franken, Guro; Rykkja, Anders (Peer reviewed; Journal article, 2023)Statistikk utarbeidet av Norsk Crowdfunding Forening viser at bruken av fol-kefinansiering blant jobbskapere og etablerere Norge har vært i kontinuerlig sterk vekst over år.1 Derfor er det behov for kunnskap knyttet til ... -
Showcase Festivals: Gatekeepers and Bridge Builders in the Music Industries
Thorkildsen, Kjersti Livesdottir; Rykkja, Anders (Peer reviewed; Journal article, 2022)Showcase festivals are industry events comprising artist showcases and conferences. It may be argued that showcase festivals are an understudied offline field, since their role in configuring and maintaining a festival-like ... -
Why is managerial shared leadership in creative organizations a more resilient, transparent, open, and generous constellation? A case analysis approach
Bonet, Lluis; Rykkja, Anders (Peer reviewed; Journal article, 2023)Leadership models in the cultural and creative sectors are frequently based on collective, shared, or distributed structures. In recent decades, research on these plural forms has yielded insights in the form of typological ...